Ludicrously Specific

48: LudiBest of 2024!

Two episodes in one month?!? Hold onto your monocles, the surprises are only beginning as we explore the best and worst of cinema in 2024. Will Skeet praise a film that rhymes with "curiosa"? Will we talk for two hours yet again? Who's to say? 

47: WWW, Summer Solstice

You know we couldn't let the year go by without another episode, right? (Well, we *could*, but we didn't.) Join us for everything from Dr. Seuss to Dr. Acula, from sheep to ants, from laughter to tears, from digressions to distracting cats, and - yes - more!

46: What We Watched, Winterlong

Is this thing on? Oh, yes it is. Get ready for two hours of zombie ninjas, oversized canaries, Pablo Escobar's cocaine hippo, and whatever the hell XTRO is. And that's just the tip of the iceberg. From Victor Erice to Bruce Leung, join us for a ramble as we discuss - that's right - what we watched for the last three months. 

45: A Corman Tribute, With Digressions

Roger Corman may be the only man who was involved with the making of more films than we could mention in a single podcast. But that doesn't mean we don't try! Come celebrate BATTLE BEYOND THE STARS, THE TOMB OF LIGEIA, DEATH RACE 2000, A BUCKET OF BLOOD and much much more. Plus we conclude with a brief (lol) round of What We Watched, which explains why this is the only Roger Corman tribute you'll hear about that brings up LUST, CAUTION!

44: Radiant Snipers, Fully Exposed

If you pay attention to obscure UK boutique Blu-ray labels - and who doesn't? - you know that Radiance is the most exciting new player in the market. Profiling two of their titles from Europe in the mid-70s would have been specific. Choosing two that had male nudity would be very specific. But two that also have their plot disrupted by the arrival of a sniper? Well, some might say that's ludicrously specific. Welcome to Man on the Roof, Goodbye & Amen, and quite possibly a digression or two. (Okay, definitely a digression or two.)

43: What We Watched, Summer Edition

Two martyrs, three sperm donors and a kajillion ninjas walk into a podcast. And then there's the robot, the senile mother, and the devil. Tune in for ninety minutes of everything we've been watching: comedies, classics, current releases, and, of course, a Godfrey Ho film. 

42: Sinister Zombie, Not Sinister Zombies

ELMER GANTRY. DAUGHTERS OF DARKNESS. Two films bound together by nothing whatsoever. Except the sinister urge of Rob Zombie, who sampled them both on the first track of one of his albums. The Sinister Urge, to be specific. 

41: What We Watched, Holidays Edition

You know Darren wouldn't let go of the holidays that quickly. We're kicking off the year with a few faves since our last recording, from Christmas-y musicals to two takes on the future 90s style at the absolute opposite ends of the budget and quality spectrum to, of course Godfrey Ho. We also take a surprisingly soulful detour into the question: if you could watching only 10 more movies before you die, would you choose films you'd seen before or films that were new to you? And finally, we close out with a film that would have made our best of last year had we seen it in time: GODZILLA MINUS ONE. 

40: A Very, Very Unmerry Sally Field 70s TV Movie Xmas

Another Christmas, another set of Christmas-adjacent movies. But what *is* Christmas-adjacent, anyway? What makes a Christmas movie? And why does Darren love TV movies so much? All these mysteries - and more - are explored through the lens of two 70s tv movies featuring Sally Field available on YouTube that you've probably never seen: MONGO'S BACK IN TOWN and HOME FOR THE HOLIDAYS. Plus, a completely unrelated but highly passionate plug for GODZILLA MINUS ONE, in cinemas now!

39: WWW, 2023 Wrap-up Edition

Is 2023 over already? No, sorry. But we're over with 2023, and so we're chatting about our best cinema experience, biggest cinematic disappointment, our favourite film of the year, and much more. From Hundreds of Beavers and Rat Race to Stop Making Sense and Oppenheimer, join us for another ramble where we traipse through films that are sublime, films that are ridiculous, and at least one film that is, quite possibly, both.